I promised almost 2 years ago that barring people being led away in handcuffs I was going to stop covering TWIT and for the most part I did.
The continuing lewdness, misogyny and a tendency to circle the wagons at the slightest hint of detractors has hardly been newsworthy. As such, I was content to just passively watch them die in an implosion of their own making.
To that end I've never done anything to them that they didn't first do to themselves. In fact, everything I've written was meant more as a sanity check than attack.
Believe me, I could have written so much more. I could have documented the minutia of every misstep, every cruel word, every thoughtless act.
But I left such things to Totaldrama. I wasn't interested in baldfaced attacks, name calling or sensationalism.
TWIT does a fine job of that all on its own.
The gloves are off BITCH...
They came off because of the latest round of wagon circling. It seems my video capture of TWIT's big move to the Eastside studios was a violation of copyright.
At least according to the takedown notice I received today.
Unless something has changed that I don't know about, all TWIT broadcasts are licensed under a Creative Commons license. As such, so long as you give full attribution of the source and don't try to make any money off of the content you can freely distribute whatever you capture.
Even the most restrictive of Creative Commons Licenses allows what I've done all along that being...
This license is the most restrictive of our six main licenses, only allowing others to download your works and share them with others as long as they credit you, but they can’t change them in any way or use them commercially.
from the official Creative Commons site...
Which is what I've always done with all my TWIT video captures even going so far as to never edit or cut out material that may change the context of the programming in the slightest way. In fact, the most editing I've ever done with a TWIT video capture was to edit out the paid advertising reads.
There's no reason that I should give free advertising to a TWIT sponsor nor do I want any hassles with YouTube over it. So it just never happened.
There are less restrictive licenses under Creative Commons. In fact most of them allow remixing, parodies, just about anything you want so long as you attribute the original work. Some even allow for commercial use.
I've always chosen the most restrictive interpretation making no substantive changes to the content or monetizing them in any way.
Even the rather damning videos creatively edited by those less than kind to TWIT were covered under versions of Creative Commons.
Which is the root of my newfound crusade.
You see, my innocuous little YouTube channel consisting primarily of videos of monsoon storms with it's 16 whole subscribers is somehow a threat to TWIT.
So much so that I've earned a copyright strike that puts my channel and my reputation in jeopardy. The infraction is for a video capture of the TWIT move to the Eastside studio. A video offered without editing, commentary and free of charge.
For the unfamiliar, A YouTube copyright strike is a virtually indefensible charge of copyright infringement which in an Internet context is akin to grand theft.
The only recourse, a YouTube form to "Request" the retraction of the charge that demands full contact information.
Just the thing for a copyright troll to pursue a frivolous lawsuit. Or to bully a detractor into silence.
I won't be bulled but I'm also not stupid.
Rack up too many copyright claims and you can find your channel shut down. As such I've removed similar videos from the channel to prevent from being bullied into oblivion. Unless you plan on asserting a claim on raindrops and lightning strikes you got nothin'....
So what's the game TWIT? Are you attempting to rewrite your own questionable history? Then stop making so much of it!
Surprising that such a staunch liberal as Leo Laporte would chose a tactic favored by the Texas school board. You know, that Conservative body that wants our children to at least "consider" that humans were running around underfoot of dinosaurs. In which case the Flintstones could be considered a documentary series...
..Intelligent design indeed.
What's the threat of presenting content that's already been freely shared for those who care to watch?
Are we trying to put the genie back into the bottle? Do we want to ensure that the free and uninhibited nature of TWIT is a premise without foundation? Is anything not directly controlled by TWIT a threat regardless of the intent?
Then you better be damned sure that your edits happen well before the broadcast. Perhaps the appointment of a propaganda minster would be in order. Someone with the power over even the Fuhrer...
Josef Goebbels isn't available but I hear Roger Ailes is looking for a gig...
TWIT proudly professes to be more than just another podcast network. They claim to be community driven but lately it seems like they're more of a cult.
Communities are made up of like minded people with a common purpose. OK, so far the same goes for a cult. The difference is a community is made up of individuals some with controversial ideas. Ideas that allow the community to learn, grow and persist.
Cults usually end up with a lot of dead people and a weird website.
We've already got the weird website...
So what's next? Well, I'm not putting my thunderstorm videos at risk over TWIT. But I will keep writing. I will keep watching and I will expose that which is offered freely be it good or bad.
You made a mistake Leo and Lisa. I was content to be passive even sharing your content on occasion. Always without spin.
I'm not content anymore and it's because of you. I don't have a hell of a lot to look forward to these days but you...you just gave me a new purpose.
None of which you can do anything about because what I produce will be backed up with irrefutable evidence.
Meaning, unless you want it splashed all over the Internet, you'd better clean up your act. I don't need to make shit up, you provide plenty of content and nobody has to guess at the context.
Tit for Tat.